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damansara heights is Here is the sea, the wind, and the wave. Here are the seas, the winds, and the waves of all the world. Here is ferocious environment. And here is difficult adjustment, the achievement of which is delight to the small quivering vanity that is I. I like. I am so made. It is my own particular form of vanity, that is all. “All right,” said I; “but put some corrosive sublimate on it just the same. And some two or three weeks from now, when it is well and you have a scar that you will carry to your grave, just forget about the purity of your blood and your ancestral history and tell me what you think about yaws anyway.”.
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🎮 CHAPTER XIV THE AMATEUR NAVIGATOR In the maze and chaos of the conflict of these vast and draughty Titans, it is for me to thread my precarious way. The bit of life that is I will exult over them. The bit of life that is I, in so far as it succeeds in baffling them or in bitting them to its service, will imagine that it is godlike. It is good to ride the tempest and feel godlike. I dare to assert that for a finite speck of pulsating jelly to feel godlike is a far more glorious feeling than for a god to feel godlike.!
🏆 While on the way to the cutter we met the only white man on Tahaa, and of all men, George Lufkin, a native of New England! Eighty-six years of age he was, sixty-odd of which, he said, he had spent in the Society Islands, with occasional absences, such as the gold rush to Eldorado in ’forty-nine and a short period of ranching in California near Tulare. Given no more than three months by the doctors to live, he had returned to his South Seas and lived to eighty-six and to chuckle over the doctors aforesaid, who were all in their graves. Fee-fee he had, which is the native for elephantiasis and which is pronounced fay-fay. A quarter of a century before, the disease had fastened upon him, and it would remain with him until he died. We asked him about kith and kin. Beside him sat a sprightly damsel of sixty, his daughter. “She is all I have,” he murmured plaintively, “and she has no children living.” On the first floor was Madame’s bed-chamber, a large room papered in a flowered design and containing the portrait of Monsieur dressed in the costume of a dandy. It communicated with a smaller room, in which there were two little cribs, without any mattresses. Next, came the parlour (always closed), filled with furniture covered with sheets. Then a hall, which led to the study, where books and papers were piled on the shelves of a book-case that enclosed three quarters of the big black desk. Two panels were entirely hidden under pen-and-ink sketches, Gouache landscapes and Audran engravings, relics of better times and vanished luxury. On the second floor, a garret-window lighted Felicite’s room, which looked out upon the meadows.!
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